Tales from Outer Suburbia

by Shaun Tan

This book reminds of a third grade project that my daughter did: to write a short story that accompanies one picture from Chris Van Allsburg's The Mysteries of Harris Burdick. In fact, on Van Allsburg's site, there is an entire section dedicated to stories from "readers" of the book inspired by the images in the book.

Outer Suburbia has that same absurdity, the same eeriness and outlandish qualities that constantly surprise and delight the reader, even when we feel slightly uncomfortable with what we read and see. It is at times unsettling and other times deeply moving.

I am not sure that this is a book just for children or teens. It seems to me that it is very much a book made to just express the artist's imagination and to satisfy his own storytelling needs -- which, ultimately, benefits the readers who would appreciate this kind of short vignettes. My favorite stories/images are: Eric, No Other Country, Alert But Not Alarmed, Make Your Own Pet, and strangely my top choice: The Nameless Holiday.

The entire book design is so amazing as well. I remember the sense of thrill and awe when I first discovered the Griffin and Sabine trilogy by Nick Bantock. This one comes close.

In Cold Blood

by Truman Capote

Finally got a chance to read this. Excellent beyond belief. No wonder it is such a famous book. Capote is not only a great sentence crafter, he is also so skilled in putting together the whole picture bit by bit with just the right amount of tension as each chapter progresses and as each section of the book falls into place. There is the "cold blood" chilling-ness permeating the book, of course, but there is also so much that is entirely human about each person's tale. We wonder about these murderers and what went wrong in their lives and in their brains and in their hearts. I feel both a deep sorrow and a real emotional detachment - two highly opposite sensations and yet they co-exist the entire time as I read the book. I'd credit the author for giving a most unusual reading experience.

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The Bartimaeus Trilogy

Author: Jonathan Stroud

Reading Level: 6th grade and up

This is a guest blogger post. Josh is 16 years old and just finished the trilogy. (I feel remiss here -- since I neglected to recommend this series to him when he was in middle school!) He sent me a long email with his reviews of the three books and we subsequently exchanged a couple more emails, especially about the endings of this trilogy and the His Dark Materials trilogy. There are plot spoilers.



ABOUT The Amulet of Samarkand

Bartimaeus is hilarious. I simply love the djinn. Nathaniel is interesting to follow as well, a fun character with a couple flaws. There really isn't much to speak of in this book other than plot: it's fun, but Bartimaeus is the real winner of this one.

ABOUT The Golem's Eye

Here we see Nathaniel turn into the pompous, arrogant named John Mandrake. He falls into the very trap Bartimaeus told him to avoid: letting the corrupting influence of magicians twist him into something horrible. The things he does and says are unbelievable, and the effect is doubled by how he behaved in the 1st book. We get introduced to Kitty, who's a good person at heart, and then gets caught up in the whole Honorius affair. Mandrake shows his bastardness with his perpetual breaking of vows, many only hours or less after having made them. Bartimaeus is fun as ever: was sad about Queezle, that she got introduced and then snuffed out, but oh well. So goes the storyline.

ABOUT Ptolemy's Gate

By far the most interesting, most powerful, most moving, most climactic of the three (well, for that last one I suppose there's a reason, being the end and all). We see Mandrake turn from arrogant into the marginally better (or worse, depending on your POV) "top magician". Bartimaeus evokes a lot of sympathy with his sorry state, and Kitty becomes my favorite character for the majority of the book.

And then Mandrake slowly crumbles, leaving a mature Nathaniel. He still has flaws, but then, so does everyone but Bartimaeus. As Kitty and Nathaniel work together, with each other (and slowly begin to admire each other: my guess is given a couple years, they'd end up as very good friends or more, provided Nathaniel doesn't relapse, which I don't think he would), it's my favorite part. To see Kitty put the same trust in Bartimaeus that Ptolemy did, showing greater understanding of him than perhaps even the Egyptian boy (though Ptolemy did not have someone's notes or previous history as guides, admittedly).

And then, when Nathaniel accepts Bartimaeus into his own body...this is where N/B takes over as my favorite character(s). The fact that, working together, they manage to destroy far more powerful spirits than they. The fact that, working together, they are the culmination of Ptolemy's hopes and dreams, the ultimate climax of Nathaniel and Bartimaeus' relationship, the fulfilling of the purpose of Kitty's visit to the Other Place...once they become both two souls and one, a single 2-part mind in a single body, I could not put it down even for work. I was breathless as they turned the staff on Nouda...

AM. Nathaniel hit by the Detonation. Coming from Barti's POV, it is even more effective. And then when Nathaniel realizes the seriousness of the wound, his acceptance of his fate and determination to do selfless good is such strong writing. The last meeting with Kitty, where N/B both know what has to be done, and the whole concealing it from K thing...I really felt it. Comparable, at least for me in my after-reading-state, to when Lyra and Will realize they must separate in Amber Spyglass.

True to form, he breaks his final promise, having finally made one beyond his power to keep. This was where I was sad that the "item" could never happen (Kitty's picking through the wreckage at the end made me think she was feeling the loss of a possible future, one containing more happiness, or at least more possibility, than her current one, a future with a united djinn/human in it).

I thought that writing N and B's end at the very end was the best move of the whole trilogy. We already know what happens: we know that the great evil is destroyed by the heroic death of N/B. Now we get to see the heart of darkness, the center of the inferno, as N/B march to their death. The connection between them in this scene is so powerful I thought they might actually survive. This isn't the usual master-servant relationship; this isn't even Ptolemy's relationship. Ptolemy was a trusting, kind, benevolent, freedom-giving master, yes, but he was a master, as evidenced by his final dismissal of Barti. N and B banter as friends, they speak as equals, as 2 halves of the whole. Nathaniel's character at the end here practically radiates goodness off the page. And then, the way he dismisses Bartimaeus, I feel, is from an equal to an equal. The delivery of the dismissal is not that of a master dismissing a slave, but of a friend releasing a friend.

My throat was seized up the whole final scene, but it was the 2nd-to-last paragraph, where the Staff breaks, that the tears almost fell (almost, because I usually manage to keep them in while reading, though I failed during Amber Spyglass several years ago). The simplicity of the writing there - "Nouda did this. Nathaniel finished the Dismissal. I went. The Staff broke." had so much raw POWER in the way it was written. Stroud simply couldn't have written that end any better (except maybe Nathaniel surviving: just as he turns good, he turns so good that he must make up for the magicians' sins and evildoing. He dies for a better world, and I do rather prefer when they get to actually see that world).

I'd discuss the last paragraph but I need breakfast. Barti's final words in the trilogy, starting with "typical master", given that Nathaniel was anything but, either give the paragraph a tone of affection or a tone of disgust. Choice of the reader, so I chose affection :)

*** (Another email discussing the endings of Amber Spyglass and Ptolemy's Gate is omitted.) ***

Amber Spyglass had a Tough ending...but I think that, for me, Ptolemy's Gate takes the cake. To see what Nathaniel becomes by the end of the trilogy...in book 1 he was bumbling but likable, in book 2 I nearly burned the pages with him, in book 3 first couple parts I was a little put out with him (especially given his treatment of Barti), in last 150ish pages I thought, "This is what he should have become from book 1." The opposition of him + Barti and him from the previous books was so pronounced, and the tentative friendship springing up between him and K...it all made his death doubly sad and twice as noble.

Still tugs at the hearstrings, reading it. It's his Redemption, and yet he goes so much farther than he "needed" to, to redeem himself. For once, a magician of the old generation does what people of such power are supposed to do (at least in our society): use it for the people, sacrifice himself for the commoners.

FAIRROSA:

I cannot really honestly say which one affected me more at the moment of reading -- but I do think that Lyra and Will's final parting has a much stronger lingering effect. I read that scene, what, 8 - 9 years ago and I can still feel the sorrow now; whereas I do recall Nathaniel's final sacrifice (and you described it so well below) and how much I sobbed over it, it does not give my heart a blow whenever I think of it.

JOSH:

It's something about the way the two are written, I think. Something about them makes Bartimaeus stronger than HDM for me. I can't place it...my first guess would be that in Barti, the whole experience comes from 1st person, and their unity is such a 180 from everything before it, but I'm not sure if that's it.

Maybe it's the fact that N/B was 4 days ago, and L/W was 4 years ago...but there's no way to either prove or disprove that.

Argh.

Given the time difference between reading the two (not too much for an adult, but for me it's my entire emotional maturation to date), I don't think I can honestly say either one. L/W affected me more, but I hadn't read many books before then in which the heroes either die or must sacrifice something HUGE to win. I'm more used to it by now, and being a fan of happy endings, anything with such sacrifice will .

Here Lies Arthur

Author: Philip Reeve
Rating:
Reading Level: 5th to 8th grade

Pages: 352
Publisher: Scholastic
Edition:Hardcover, 2008

This is a book for the Arthurian Legends enthusiasts, and I happen to be one. Having read many re-imagined Arthurian tales, I was completely delighted by this fresh take on the “true story” behind the legends. Reeve’s conceit is a fabulous one: it is all about the power of stories, storytelling, and story tellers. The title alone is worthy of much examination, with its double meanings of "lying dead" and "telling lies."

At the beginning, I was perplexed by the switches between past tense and present tenses. Slowly, I realized the why and when of such passages. This is a meta-fiction in a slightly different form and it really works for me.

I imagine that, though, this might not be as much fun for some others. If you don’t find piecing together pieces of a complex story puzzle (who’s who and which event eventually “became” which well known tale,) then, you won’t be having as much fun as I do. If you are not usually a sucker for stories that “discuss” the underlying philosophical elements of story-telling or humans’ needs for such elaboration, then, you probably won’t like this book as much as I do. And if you are not totally loving the meta-fiction genre, then you definitely will not enjoy it as I do. Also, if you only want a story with magic and valor, (that’s what I expected, before reading the actual text) then, you definitely will be disappointed. This is one Arthurian tale, featuring heavily the prototype character or Merlin (Myrddin) that definitely has NO magic whatsoever!

What’s even more impressive with this tale is Reeve’s ability to actually tell a cohesive story, with a highly believable and admirable main character, set against a convincing backdrop. (Although one might say that the language of the telling is fairly contemporary 21st century, it is to be excused because the teller could be anyone in any time – everything is apparently made-up anyway.)

To say that I am highly impressed is to put it lightly. I hope many others (especially middle school readers) will find this an intelligent and satisfying read!

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Christo and Jeanne-Claude: Through the Gates and Beyond

Author: Jan Greenberg and Sandra Jordan
Rating:
Reading Level: 4th to 6th grade

Pages: 50
Publisher: Roaring Brook/Neal Porter
Edition: Hardcover, 2008

I am speechless and teary-eyed, reading and having finished reading this thrilling little biography of Christo and Jeanne Claude and of their art. Greenberg and Jordan did not disappoint -- as always, their words are as vivacious and artistic as the artists they chronicle. One cannot help but being completely infected by the passion from all of those involved: the artists and the biographers.

And to this one, since it is something I deeply experienced, with friends, students, and family, my emotional reaction is even stronger. Between me and my husband, we took about 500 photos -- both under a bright blue sky and in the snow, with the gates winding around and the fabric flapping wildly in the wind. In fact, when it was time for my then-kindergarten daughter to do her "hundred day" project, she chose to draw a tree with branches and then glue 100 miniature pictures from our collection as leaves -- a Fall Tree, as she called it, because these were orange leaves. The artwork is still hung next to my desk at work.

(Hmm... I was slightly perturbed why there have not been more pictures of the Gates in this book, especially of the Gates when they were "in action and in motion"?)

The meticulous and artistic design of the book itself also echoes the free and playful spirit of Christo and Jeanne Claude. I applaud all who worked on this book! Thank you for a precious gift.

And I simply cannot help but posting a couple of the snowy pictures (the blue sky ones are on a DVD somewhere else...) -- to commemorate a fabulous time in New York City:






And of course, my friend Monica Edinger had her class document the process on a web page. Go HERE to see!

And here's a link to many more Central Park Gates Pictures by searching google images of simple: Central Park Gates.

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Little Mouse's Big Book of Fears

Author: Emily Gravett
Rating:
Reading Level: K to 4

Publisher: Simon & Schuster
Edition: Hardcover, 2008

This is a fantastic offer from a truly creative mind, and I believe also, from a team of designers and editors who put in so much in carrying out all the ideas: from the nibbled cover and pages, to the flip-the-flap effects, to the completely black page (yes, I was fooled in thinking, 'huh? this is the end of the book? No way...' and found out, to my great delight, that there is still half of the book to go and plenty more of information to come!) And of course, Gravett's talent in illustration is unparalleled! I just love that pencil, getting gnawed to a stub bit by bit.

It will appeal to those children who love words and love to collect the names of so many phobias. It will appeal to those children who love poring over pages with extra words and details quite a few times over. It will appeal to those who enjoy visual jokes ("I worry about having accidents." page has Little Mouse ... um... accidentally leaves something on the bottom of the page... -- opposing the picture of a toilet.)

I love the page where all the feathers "have eyes" and "sharp teeth." I love the page with the newspaper clipping about the farmer's wife and the three mouse tails. I love the page with the fold-out map of the Isle of Fright. Actually.. I think I simply love all the pages, each for a different reason.

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That Book Woman

Author: Heather Henson, illus. by David Small
Rating:
Reading Level: K - 2

Publisher: Atheneum
Edition: Hardcover, 2008

Even though I knew from page 2 that this is a little story on the power of books and libraries, and that this young boy narrator will become a reader in the end, I did not feel disappointed when all the prediction came true. This is due to the artistry of both the author and the illustrator. Henson's text is folksy and true, with a wonderful lilting pace, while Small's illustrations are gentle but at the same time with a quiet but majestic integrity. Of course, being a librarian, I am completely won over. (Just so you know, I am usually very suspicious of books glorifying Library Services and Librarians -- oftentimes, I find those "books and reading are GREAT stories" corny and cringe-inducing.) I hope that others who are not in our profession will also find this fact-based story completely winning.

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Swords: An Artist's Devotion

Author: Ben Boos
Rating:
Reading Level: for all readers

Pages: 96
Publisher: Candlewick
Edition: Hardcover, 2008


I couldn't believe my eyes, flipping through page after page of beautifully rendered swords from many time periods and many cultures, how visually perfect this book is! No matter whom I showed this book to (HS students, MS kids, other adults) - the reaction was the same: an astounded delight at this Feast of the Artistry of Beautiful and Elegant Swords. I'm glad the inclusion of Asian and African swords and their histories (although would have like a more balanced proportion in treatment...)

This makes a great holiday gift for any child who enjoys this topic. The general and specific notes on various types, their usages, their histories, and those who used such and such swords are easy to read and absorb. But one definitely doesn't need to read all the text to enjoy the book.

I am so happy of this book's existence!

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The Graveyard Book

Author: Neil Gaiman
Rating:
Reading Level: 4th grade and up

Pages: 320
Publisher: HarperCollins
Edition: Hardcover, 2008

This one definitely reached deeply into my heart. Love the world building. The Graveyard became a "residence" for my soul for the duration of reading/listening to the book -- a real place where my mind can wander. I could picture the sights, the light, the details, both described in the book and not described, undefined. My mind filled in all the corners and expanses and turned that world into a tangible space. Even after the storytelling is over, The Graveyard remains in my heart. Now it's as real and as cozy (if a cold graveyard can be cozy) a place as my Library' Reading Room.

I think the short story format works really well. Each "story" has a satisfying conclusion. Each advances the larger tale forward, too. Bod's maturation is expertly handled. And then, the conclusion of the entire tale is bittersweet, and yet not disappointing. (Oh, I guess I was sad that Bod might lose all the ghostly skills he possessed as a child and slightly mad of Gaiman for that -- why can't he still straddle the two worlds, even when he chooses to venture out into the world? My mind does not wish to accept that conclusion so I am making up other adventures for Bod that requires him to go into the other realms, to fade, and to haunt!)

I was shocked but really appreciated how Gaiman handles Bod and Scarlet's necessary parting. Keeping us readers on our toes, always. (And that little scene where Scarlet hugs Bod... so achingly revealing: since the age of two, he has not really been hugged, by real flesh and bone.)

And there is the rich imagination, the host of distinctive and adoring characters, a most chilling villain, and all that witty humor. How could I not love the book to pieces?

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Brooklyn Bridge

Author: Karen Hesse
Rating:
Reading Level: 6th and up

Pages: 240
Publisher: Feiwel & Friends
Edition: Hardcover, 2008

I did not know that this would have been so good. I did not expect that I would have loved it so much and that I could not stop reading it and pretty much finishing it in one "fell swoop." It seems Dickensian, but that might not be a fair comparison because it is actually quite sparing and except for the intentional repetitive phrasing in those dream-like segments about the children "under the bridge" (and so effective, those poetic passages.. *sigh*), there is not that much repeated sentiment. I was drawn in, felt like I lived side by side with Joseph, and often was surprised at the richness and the vividness of the world I "saw" through the text. It doesn't hurt that I (and my family) adore the sense of place and history and the bustling life of Coney Island.

I wasn't sure at first about the vignettes of the children under the bridge but found them so mesmerizing and expanding of the experience of the turn-of-century Brooklyn - not only those who "made it" but of those who struggled and failed... I imagine that I'll remember Joseph's story for a long time, but I will never forget the Radiant Boy's, or Mattie's, or Otto's, or the story of May who almost died from eating the poisonous meal, twice.

It's an intricate tapestry and an "important tale" that is beautifully woven in the hand of artisan.


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A River of Words: The Story of William Carlos Williams

Author: Jen Bryant; illustrated by Melissa Sweet
Rating:
Reading Level: pre-k to 5th grade (depending on how the book is to be used)

Publisher: Eerdmans
Edition: Hardcover, 2008

Oh, how I absolutely
love this book
adore it
for its simple
informative text
admire it
for the collage and
water color illustrations

showing the time
the world and
the spirit of the poet
who was a doctor,
healed wounds,
delivered babies,
and soothed
our souls

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How to Heal a Broken Wing

Author: Bob Graham (illus.)
Rating:
Reading Level: toddler to 3rd grade

Publisher: Candlewick
Edition:Hardcover, 2008


Since I am not one who usually loves books with strong and obvious messages, I surprised myself for really liking this one. Why? First and foremost, I think it is because that there is a real plot and emotional arc in the telling of this gentle and simple story of hope. Hope in healing the wounds of the world (a page with the TV screen showing the current War in contrast with the family's loving care of the bird); hope in having our next generations to have compassion for the world around them; and hope for the inter-generational "collaboration" in finding ways to heal.

Graham's cartoon illustrations do not reduce the emotional impact of the story -- the varied composition, perspectives, page layouts, all contribute beautifully to accentuate the events and the interior motions of the characters. That one spread where you only see Will and the bird with broken wing (as an extreme close-up from the spot on the cover) is superb! The more and more closely I examine this work, the more I appreciate it. (So, just changed from 4 to 5 stars!)


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Wanda Gag: The Girl Who Lived to Draw

Author: Deboarh Kogan Ray (illus.)
Rating:
Reading Level: K to 3rd Grade

Publisher: Viking
Edition: Hardcover, 2008

I am profoundly moved by this picture book biography of an amazing artist. It's partially because of my own belief in the power and importance of art in our world, but mostly, it's because Deborah Kogan Ray's candid text, capturing Wanda Gag's spirit, and her oil paintings capturing Gag's world and time. My eyes and heart were drawn to those little lighter/brighter outlines around some of the objects and figures in each painting. I don't really know why, but they seem to be metaphorically significant: flashes of light (hope? human spirit?) peeking through even the darkest times. This is an outstanding biography, even for slightly older readers.

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The Black Book of Colors

Author: Menena Cotton, illus. by Rosana Faria
Rating:
Reading Level:pre-k - 2nd (and all ages)

Publisher: Groundwood
Edition: 2008, Hardcover

What a unique and amazing book!!!! I am speechless and wish everyone could read/touch/experience it!


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Bear's Picture

Author: Daniel Pinkwater; illustrated by D.B. Johnson
Rating:
Reading Level: pre-k, k, 1, 2

Pages: np
Publisher: Houghton Mifflin
Edition: Hardcover, 2008

Absolutely fabulous! The text is matter-of-fact; straightforward; and it conveys a great sentiment -- the artist's own interpretation is enough to make any artwork worthwhile. A bear can be a painter and he can paint whatever he feels like and see whatever there is in the picture without being told by others that he can't paint or what his artwork means.

And the ART in this book is unusual, for sure. The contrast between the gray-scale color scheme of the three characters and the vibrant multi-colored painting keeps the readers' focus on the "real" protagonist of the story: the painting, in progress and in its final state. I love how the bear's scarf gets progressively messier, with more colors until it's completely covered. And of course, the page where you must turn the book around to see the final picture from bear's point of view of a bear that is embedded within the autumn honey tree, cool stream, hollow log, field of flowers, and the two gentlemen's hats is such a beautiful and breathtaking moment! The color scheme reminds of of Kandinsky and Klee in their modern, abstract style. The final image of bear sleeping in the hollow log (his own creation) engulfed by the snow is the perfect and calm end note to a rigorous story.


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Garmann's Summer

Author: Stian Hole
Rating:
Reading Level: K to 3rd

Pages: n.p.
Publisher: Eerdmans
Edition: Hardcover, 2008

What an unusual book. At first glance, the images turned me off -- from the cover to the first pages -- with the weirdly proportioned heads/bodies done with photo-collages. Then.. I got sucked into this style and most importantly, I got mesmerized by the text and by the matter-of-fact tone of everyone's answer to Garmann's queries about death and fears. The illustrations eventually reminded me of Terry Gillian's work for Monty Python's Flying Circus with many pages featuring curving flower stems and vines and the unlikely pairings of objects: the ancient aunt on a skateboard above skyscrapers or the bus load of images of famous jazz and other musicians... So, this is a very strange experience: from "Ugh" to "Brilliant!!!"


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Moribito: Guardian of the Spirit

Author: Nahoko Uehashi
Rating:
Reading Level: 4th to 8th grade

Pages: 272
Publisher: Arthur Levine/Scholastic
Edition: Hardcover, 2008 (ARC)




I posted this on Goodreads but want to highlight this one specifically here... for anyone searching for a good fantasy that is not the typical English original -- this is a GREAT new offering:

It's a book that I can feel entirely enthusiastic about recommending to children who look for fast-paced and action packed stories with magic.

It's a book that features unusual characters: the protagonist is a 30-year-old warrior woman who wields a spear with great skills and who has a rich back story and an intriguing future story to look forward to.

It does not alter its sensibilities for an American audience.

It has incredibly visual action scenes (yes, they do read like Animes, but this was turned into an anime series and I believe the lines between novels/mangas/animes are fairly blurred and cross-able and re-cross-able in the contemporary Japanese culture.)

The exploration of the "storytelling" theme strikes a chord with me, especially the idea that children's rhymes and folklores are "real" messages, to deal with real life crisis and issues.

The idea of overlaying worlds of the Real and the Fantastic are not uncommon in fantasy traditions and especially in the Manga tradition -- but here the author so tangibly captured the moments and the imagery of the two worlds when someone straddles the two realms. It made me feel as if I were the character who peeks into the fantastic realm and that that world could very well be next to me, waiting at my next breath.

Of course, there is quite a bit of nostalgia here, too -- this story echoes those martial art novels (wu xia) that I grew up with in Taiwan. The characters, their relationships, the fighting skills and scenes, the themes, etc. are all exactly what I liked as a young reader and still like as an adult.

I am just so pleased that this series is brought to the States and may allow more titles like this or even open the door to translations of wu xia xiao shuo... That will be truly a dream comes true!

Airman

Author: Eoin Colfer
Rating:
Reading Level: 5th to 7th Grade

Pages: 416
Publisher: Hyperion
Edition: Hardcover

Click on the title link and read many people's reviews, including mine, on Goodreads! The book is worth promoting in libraries, classrooms, and homes!

Tap Dancing on the Roof: Sijo (Poems)

Author: Park, Linda Sue
Rating:
Reading Level: 3rd to 6th grade

Pages: 48
Publisher: Clarion
Edition: Hardcover

I am absolutely delighted and pleased by the collection of Sijo poetry (a traditional Korean form of short poems) paired with playful and often surprising illustrations. It will be fun to see children and grownups trying their hands on creating this kind of poems!

Emmy and the Incredible Shrinking Rat

Author: Lynne Jonell
Rating:
Reading Level: 4th - 6th grade

Pages: 352
Publisher: Henry Holt
Edition: Hardcover, 2007

It's impressive how Jonell manages to inform the readers of all characters' personalities, feelings, and actions without ever straying away from Emmy's perspective: readers only know what she sees, hears, and thinks. The outlandish circumstances with all the super(magical?)-powers of the rodents are accompanied by a gentle tale of friendship, longing for parental love, and the essence of stable families. I mentally applauded the several jabs at the absurdity of the over-scheduling of our children.

The illustration with the flip-book margin of Rat falling and Emmy catching him ceases being a gimmick when it visually sums up the spirit of the story: "Don't worry. We're friends. I will catch you if you fall."